This album was Woody’s follow up to Blackstone Legacy, and features Emanuel Boyd on flute and tenor sax, Ramon Morris and Bennie Maupin on tenor saxes, George Cables on piano and keyboards, Henry Franklin on bass and Woodrow Theus II on drums. All four tunes on the album are composed by Woody, and he is beginning to develop his own compositional voice. The music is generally pretty avant garde and reveals the influence of several key musicians.
The influence of John Coltrane can be heard in the extended sections of collective, free improvisation over drones, especially in the first tune, Song of Songs, and the last tune, The Awakening. This tune also morphs into a funk groove which sounds very similar to the type of music being made by Miles Davis during this period. The Goat And The Archer, the second tune on the album is loosely based on a blues structure in F concert, although the actual chords being played are constantly changed by the musicians in a manner reminiscent of the tune If from the album Unity (see post below). The third tune, Love: For The One You Can’t Have is a beautiful tune which fits in neatly with the evolution of Woody’s compositional technique. I need to transcribe this tune, as well as others, to try and see what principles he used and developed when composing.