One thing I have been working on is playing pentatonic scale exercises in all keys, trying to get the scales under my fingers. I have been trying to gain fluency in all the various intervals and shapes available within the scales. I have also been working on exercises linking together two pentatonic scales a semitone apart as this relationship can be used in many situations – for example, playing a D flat pentatonic over a G7 chord can resolve to either a C pentatonic on the I chord, or a D pentatonic, creating a lydian sound which Woody uses a lot. Following advice from Martin Speake, I have also begun to insert pentatonics at all points of a chord sequence – mostly on the blues so far but I aim to incorporate this approach playing on standards too.
I have also been transcribing a lot of Woody’s playing, and I have been trying to play his solos along with the records. From these solos I have been picking out areas of interest to work on further – for example, the use the pentatonic based on the II of a I chord to create a lydian sound. Here is a list of the solos I have transcribed so far and the albums they are on:
- ‘Rosewood’ from Rosewood (1977)
- ‘There Will Never Be Another You’ and ‘You Stepped Out Of A Dream’ from Solid (1986)
- ‘What Is This Thing Called Love’ from United (1981)
- ‘Sashianova’ from Little Red’s Fantasy (1976)
I am also working on a few more transcriptions. My next goal is to transcribe some of Woody’s playing from the 1960s when he was still in his teens and early 20s.
I have also recorded myself playing three tunes with a band – ‘There Will Never Be Another You’, ‘What Is This Thing Called Love’ and ‘In Case You Haven’t Heard’. I hope to post these online soon with transcription and analysis. These recordings should hopefully help me to highlight other areas I need to work on.